I like it more on the edge….
Push it further, make it bigger.”
—Chihuly

Exhibition

For more than six decades, Dale Chihuly has redefined glass as an artistic medium. Working through collaboration, process, and risk, he moved glass beyond the vessel and into architectural space. Heat, gravity, and chance shape the work while light is treated as material.

Venice has played a central role in this evolution. In 1996, Chihuly Over Venice marked a turning point: fourteen Chandeliers appeared over canals, markets, bridges, and courtyards throughout the city. Three decades later, Chihuly returns with three monumental glass sculptures along the Grand Canal.

CHIHULY: Venice 2026 brings these new works together with archival materials, objects, and documentation presented at the Istituto Veneto di Scienze, Lettere ed Arti. The exhibition traces a pivotal chapter in Chihuly’s practice and its continuing legacy.

Grand Canal, 2026

Dale Chihuly, Gold Tower, 2025, 31 x 10½ x 10½', Palazzo Franchetti, Venice, installed 2026

Dale Chihuly, Blue and Green Tower, 2025, 26½ x 10 x 10', Palazzo Balbi Valier, Venice, installed 2026

Dale Chihuly, End of the Day Chandelier, 2025, 16 x 8 x 8', Palazzo Querini alla Carità, Venice, installed 2026

Gallery and Archival Center, Palazzo Loredan

Dale Chihuly, Celadon Baskets (detail), 2017, Palazzo Loredan, Venice, installed 2026

Dale Chihuly, Faxes, 1994-96, with light table displaying Chihuly Over Venice, 1995-96 photography, Palazzo Loredan, Venice, installed 2026